“Typical” does not exist in the freelance world. Some freelance attorneys may work 50 hours per month for a variety of firms, while others may work 10 hours per year through Montage’s platform. It depends on the projects that come through, your background, your availability, and many other factors that depend primarily on each individual freelance attorney. You set your own rate, which may vary depending on the project. Unfortunately, we cannot do informational phone calls at this time. Please send your resume to, and someone will be in touch with next steps depending on your background and our current needs. Montage will consider applicants with excellent credentials from top law schools and 5+ years of full-time legal experience at a full-service firm, or equivalent experience at a boutique firm, government position, judicial clerkship, etc. We’ve done our best to provide information to common questions here. Unfortunately, we are unable to do informational calls due to volume. Up next is “The Kuleshov Effect Explained (and How Spielberg Subverts it.We are so happy and honored that you are interested in joining Montage Legal Group’s freelance attorney platform. We only touched on the Kuleshov Effect as part of Soviet Montage Theory, but in this next article we break it down in further detail with modern examples, including the work of Steven Spielberg. Soviet filmmaker Sergei Eisenstein, who was once a student of Lev Kuleshov, is credited with outlining Soviet Montage Theory through the five steps we’ve just gone over.īoth Eisenstein and Kuleshov used the five steps of Soviet Montage Theory through their careers, which helped them to become some of the most influential technical filmmakers of all-time. Sergei Eisenstein Montage Film The Five Steps
Let’s look at the essential aspects inherent in a montage: This scene is one of the best examples of the influence of Soviet Montage Theory on international cinema. Types of Montage Film Intellectual MontageThe idea behind Kuleshov’s short film was to combine a single, center-framed shot of the popular actor Ivan Mosjoukine with three other distinct shots: The first is a bowl of soup, the second is a girl in a coffin, and the third is a woman lying on a couch. During his professorship, Kuleshov released a short film that would go on to become the foundation of Soviet Montage Theory. Kuleshov, along with his students, explored the process of film editing rigorously. Consequently, at this time it was incredibly difficult to find film stock in Russia, so instead, the people were left to study film rather than create it.
What followed was a period of radical change, both socially and economically.
In 1923, Vladimir Lenin and the Bolsheviks usurped control of the Russian government. One of the foremost professors at the School was Lev Kuleshov, who had begun experimenting with new ways of editing film by 1920. The Moscow Film School or VGIK was founded in 1919 during the midst of the Russian Revolution. The word ‘montage’ is rooted in the French language as a term to describe the connection of individual pieces, whether they be film, music or images, into a cohesive whole.īut to understand why montages became a major component of Soviet cinema, we have to first look at how the industry got to that point.
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